ONE TWO FIVE GALLERY is at 4 Abbey Green Bath BA11NW.
Visit the website to find out more: www.onetwofivegallery.co.uk
OPEN FROM WEDNESDAY TO SUNDAY between 11am and 5pm and by appointment any other time.
Appointments: 07803 033629.
You will find my painted clothes, scarves, glass and paintings, ceramics – and either myself, Carole Waller, or Gary Wood looking after the space.
We are showing a beautiful collection of Gary Wood’s stoneware ceramics – from his art collection of studio pieces alongside his beautiful functional teabowls available in the gallery and online at the tea bowl company website
I moved to Bath in 1994 with the idea that I wanted a shop window with a studio behind – It has taken a while as I was busy with shops such as Harvey Nichols, Liberty of London , Bergdorf Goodman in New York and galleries all over the world – so i have been tucked away in my garden studio for all this time. Finally, after 17 fantastic years putting on exhibitions at the private gallery in the house at ONE TWO FIVE – we are delighted to have relocated the gallery at 4 Abbey Green in the middle of the city under the lovely plane tree in the square close to the Abbey.
It is all about contrast – how to wear interesting clothes in your own style, whether you are 16 or 76 ….. my clothes were styled with collections from BLUE in Bath.
Will Renel made and played on the night some great music – of which the film only uses a tiny portion – and Emily Taylor choreographed the models – my friends, my daughter’s friends and staff from the RUH Cancer Unit
Last Thursday was one of those days when it just all comes together – it was wonderful.
20 models ranging in age from 16 to 70 something – beautiful friends of mine, beutiful friends of my daughter Georgina, and beautiful staff from the Royal United Hospital – brought my clothes to life in a disused and evocative Georgian church called The Octagon at Milsom Place in Bath.
It has to be my favourite space in the city, quiet and dignified and hidden from view as it sits right in the middle – but surrounded by other buildings. While it awaits becoming – Milsom Place hope to let it permanently – it hovers in a state of being which is unique in a city so devoted to brands, retail and tourism.
I worked with the shop Blue – at the Loft on Bartlett St in Bath – to show that although my painted clothes are completely unique – they are very wearable, they can be worn by any age , shape and for many different occasions.
I was honoured by the participation of the wonderful RSC actress Sara Kestelman , the
Who would think there are so many elements to think about when putting on a fashion show. I am currently in the midst of creating my summer collection, 40+ pieces that span connecting scenes from ‘Reflection’ to ‘Faces’. My inspiration draws from many things, in particular contrast, luminosity, graphic forms and strong Roman women.
In collaboration with Suzanne from BLUE womenswear boutique, and JoJo, organiser of the show we have begun to assign outfits to models. Today we had a fitting session with ‘Fabulous Fashionista’ Jean Woods, Jane, Trina, Evie, Ciara, Lydia and Kirsty. The art / clothes have a completely different feel when worn and alive. It has been a hard slog but the collection and show is beginning to come together.
The ambitious and extensive series of exhibitions, workshops, talks and symposia that is Select 2014 is up and running until May 31st. Exhibitions can be found in Stroud , Cirencester, Nailsworth, Cheltenham, Newark Park . I installed “Insulae’ – which about the legacy of a space , the sense of containment in the simple image of a house, and the knowledge of past inhabitants – at the Corinium Museum yesterday in Cirencester which is now open until May 30th – along with the beautiful textile work of Amy Wallace. My inspiration was certainly the floor mosaics found in Cirencester and displayed in the Museum on the walls – and too the visit last year to Ephesus with its fantastic sense of how a Roman city was in its time.
The Exhibition ‘Shadow and Line ‘ opens tomorrow at The Museum in the Park in Stroud – nine artists explore the theme including two of my favourites – Elizabeth Turrell and Caroline Bartlett
‘Shadow and Line’ is one of many exhibitions taking place during Stroud International Textiles’ Select festival, which showcases nine nationally acclaimed artists exhibiting work on the theme of ‘Shadow and Line’ at Museum in the Park, Stratford road.
Stroud International Textiles is a not a profit arts organisation dedicated to the promotion of the arts with an emphasis on contemporary textiles and the applied arts/crafts. Select is an innovative annual festival programme of exhibitions and learning experiences that takes place every Spring.
See what’s on at this year Select 2014 with Stroud International Textiles by visiting www.sitselect.org or following on twitter @stroudIntText to give you updates on exhibitions, talks, workshops and Select trail 2014.
Local painter and textile artist Carole Waller presents her unique label ‘I’m No Walking Canvas’ in collaboration with designer boutique Blue accented with pieces from accessory designers Carole Wadham Millinery and Cate Wood Jewellery.
The evening soiree with drinks reception will play host to the creativity of the region championing Carole Waller’s signature ‘painted’ clothing with Blue’s contemporary and progressive summer designs. The fashion show to be held in the historic Octagon on Milsom Street will be brought to life by a broad range of models, including Fabulous Fashionista Jean Woods and actress Sara Kestelman, stamping the message that style and exquisite design can be enjoyed by all.
The team also includes Bath based choreographer, Emily Taylor and music from Will Renel, a current Mmus (Master of Music): Creative Practice in contemporary music at Goldsmiths College. Both Will and Emily have collaborated with Carole on previous occasions and as a creative team are looking forward to presenting a new take on clothes, movement and sound.
The event will raise essential funds to support art within the new Cancer Centre to improve the holistic environment for the patients, their families and the staff. Art takes many forms, and in this instance can include integrally etched windows that could act as screens, maximum use of light and colour to brighten waiting areas, small gardens, as well as lovely pieces of artwork, such Bruce Munro’s Brass Monkeys which has already been acquired. The charity aims to raise a total of £250,000 for art to really create a pioneering Centre that complements the existing high quality care for patients at the Hospital.
Additionally support will also be allocated to St John’s Hospital which aims to provide an improved quality of life, through housing and support for older people within the local community.
Please join us on Thursday 15th May at 7pm at the Octagon, Milsom Street, Bath for an exciting and vibrant evening of creativity and fundraising for The Forever Friends Cancer Care Campaign and St John’s Hospital.
I have always hoped that people would wear my clothes whenever they felt like it rather only for special occasions , Karl Lagerfeld turned the Grand Palais into a hypermarket for the Chanel show for Autumn 2014 in Paris last week.
Meanwhile in the real world , the sun is shining at last and I am looking forward to a busy time forthcoming – having felt in stasis for three months while it rained ……The David Bailey ‘Stardust’ exhibition at the National Portrait Gallery gave me the opportunity to take Georgina to London and we had a great day of giggles, photography, tweeting and watching hair-netted models sashaying along with their takeaway coffee outside Somerset House on the final day of London Fashion Week.
I am seriously attending to new work for a Fashion Show in Bath in May – and an exhibition in April called ‘Footsteps’
The museum is a treasure trove – containing one of the finest and most extensive Romano-British collections in the country. The collection relates to both the town of Cirencester, Corinium was the second largest town in Roman Britain, and its hinterland. Beautifully displayed and fascinating collections of mosaics, artefacts , knives , spoons , bits of belts etc – here it is on my doorstep, reminding me of visiting Ephesus last year Ephesus in the early morning and the mosaics and painted walls in the terraced houses. To work.
Following on from last year’s wonderful programme Fabulous Fashionistas by Sue Bourne – I want to make a small homage to my MUM, Irene, – my model, my mentor and my trusted critic of many years.
She wears my painted clothes most days – she has a lot of them.
Irene Waller has written seminal books on textile as an art form – and the artists who made that happen in the 1970’s. She studied textiles in the 1950s at Birmingham College of Art and then ran the constructed textile department there until she took early retirement in the 1970s to pursue her career as a textile artist, writer and lecturer. Her documentation of the Lausanne Biennale of Contemporary textiles exists in boxes of 35mm slides which she treasures – and which I hope to digitalize, when she will allow!
Birmingham was my home town until I was 19 when I left after my foundation studies in art at Bourneville College of Art and from there I went to Canterbury College of Art to do my BA in painting – and Irene and Geoffrey moved to the top of the Malvern hills where they still live. Their house sits on an unmade road with a great view over the Welsh mountains. Tolkien drew from there to make the landscape sketches found in The Hobbit.
Mum had introduced me to the work of Gerhardt Knodel in her work as a writer on textile art, and contributor to the documentation of a major art movement – I went on to complete an MFA in Fine Art Textiles at Cranbrook Academy of Art in 1980, studying under Joan Livingstone. The first Fashion Show, ‘I’m No walking Canvas’, happened here in 1981. Every year at Cranbrook students were asked to donate work for an auction, but at that time many of us made nothing tangible enough to sell. I persuaded 50 artists to make something which could be ‘worn’, and the event took place in the Cranbrook Museum, and was anarchic and wonderful.
I forgot all about that idea until several years later – when I made the first painted coat on the back of a white cotton lab coat in 1986. Mum lent me £500 to show the first few pieces at Chelsea Craft Fair in 1987, subsequently run by the Crafts Council as Origin. I shall always refer to her in my decision making, and shall always owe her the £500.
A recent visit to the south west coast of Turkey took Gary and I to some amazing places and this is the first of a collection of images and notes about the inspiring and beautiful things we found. I lived on a small sailing boat for three years, and sailed around the south coast of Turkey and the Greek Islands for three years in the early 1980′s and did not want to come back to Turkey in case tourism had spoiled it irrevocably – but my experience was that despite the developments of the last 30 years, it is still turquoise, clear and calm.
Kekova Roads is an enclosed bay protected by the 4 mile long Kekova Island in Lycian Turkey. The lovely village of Kalekoy (ancient Simena) had no road when I first visited – truly magical and unspoilt. The area is a Lycian site with a small castle, sarcophagae, and sunken ruins visible underwater all around. The partially sunken ruins of the ancient village of Aperlae , and the evidence of lost buildings, can only be seen by boat and are just beautiful.
So, back to the colour purple and Aperlae : The economy here was built around the production of Tyrian dye, a deep and costly purple gleaned from a snail Murex trunculus (which has been reclassified as Hexaplex trunculus). It is said to have cost 20 times its weight in gold. It probably took about 12,000 snails to produce 1.4 grams or 0.05 oz. Three ceramic lined vats found in the sunken district are suggested to have been holding tanks for the live snails until there were enough to be processed. The dye was exported to Andriake, which was the international emporium for nearby Myra, for shipment to textile centres throughout the Mediterranean.
As someone who has spent years painting dye into silk I was delighted to discover this connection in 2013 – when I first visited and fell in love with this place, in 1985, I knew nothing about it , and had not begun what has since become a lifelong commitment.